Dancing & Show News

Sam Ryder

All the latest dance, theatre, and stage news from Dincwear Dancewear.

Sam Ryder “couldn’t be happier” following record-breaking Eurovision success with SPACE MAN.

Sam Ryder has said he “couldn’t be happier” to return home after his record-breaking success at Eurovision over the weekend.

The TikTok star came in second place in Eurovision with the song SPACE MAN – not only the UK’s best-performing entry since Imaani in 1998, but with a total of 466 points, also became the highest-scoring UK Eurovision entry of all time.

Now, Sam has made the journey from Space (well, Turin) back down to Earth, as he returns home having re-invigored the country’s belief in Eurovision and that when we try our best, we might actually be…whisper it…good at it. “It’s just lovely to come home and feel that joy and love we’ve felt the whole time,” Sam told press at Heathrow Airport. “Though I am tired now – just want to focus on having a nice sleep tonight.”

SPACE MAN became the highest-scoring UK entry in the history of the competition.

}—–{

Alfie Boe and Sarah Brightman to release God Save The Queen duet.

The regal record will be a double-A-side, with the new duet sung by Alfie Boe and Sarah Brightman along with the NHS Care Choir on the A-side and the original recording of God Save The Queen from the Queen’s coronation on the B-side. The song was first released on LP in 1953 and was then later reissued on CD in 1997.

SarahBrightman also revealed that the single’s proceeds will be donated to the British Red Cross, of which the Queen is a patron. The classical singer said: “It’s for, what I’m told is, one of the Queen’s favourite charities, which is the British Red Cross, which helps people in crisis all over the world. They’re an amazing charity.” She added: “It’s been such a pleasure to do and we’ve had fun putting it all together with wonderful producers and everybody on the record.”

Speaking on live television, Brightman praised the Queen ahead of the Jubilee celebrations, saying: “What’s so lovely is it’s for an amazing woman who has reigned for so long and done such an amazing job and worked so hard. “She’s there for us when things are not good and we feel secure with her. In a way, she’s the backbone of this country. “And I feel very, very proud, and I know Alfie does, to be British because of her.”

The NHS Voices of Care Choir features the voices of health service employees and was originally put together by music producer James Hawkins.

}—–{

Former Emmerdale star Adam Thomas ‘signing up for Strictly Come Dancing’.

Former Emmerdale actor Adam Thomas is rumoured to be the first celebrity to ‘sign up’ for this year’s Strictly Come Dancing.

Adam, 33, is said to be in talks with BBC bosses to star in series 20 of the dance competition show, which will air in autumn this year. He played Adam Barton in the ITV soap until his departure in 2018, and his brother Ryan, 37, stars in Coronation Street.

The star came third in the 2016 run of I’m A Celebrity… Get Me Out of Here! And In 2019, Adam was announced as the host of the I’m A Celeb spin-off, Extra Show.

A source told the press: “Adam has got what it takes to win and is already practising his moves. And he’s got a big female fanbase. “This has been a little while in the making but it’s happening this year.”

It is also reported that Strictly bosses were also looking to sign Adam’s older brother Ryan, who played Jason Grimshaw on the cobbles of Coronation Street for 16 years.

}—–{

Cast for Bugsy Malone tour announced.

Presented by Theatre Royal Bath Productions, Birmingham Rep and Kenny Wax, Alan Parker’s stage show features a score by Paul Williams and is based on the 1976 movie of the same name. Songs include the likes of “You Give A Little Love”, “My Name is Tallulah”, and “Fat Sam’s Grand Slam”.

Sean Holmes directs the show, which has choreography by Drew McOnie and design by John Bausor. Also in the creative team are Franny-Anne Rafferty (associate director), Phil Bateman (musical supervisor, arranger and orchestrator), Phil Gladwell (lighting designer), Ben Harrison (sound designer), Connagh Tonkinson (musical director), Leanne Pinder (associate choreographer), Richard Weedon (orchestral manager), Verity Noughton (casting director for the unders), Will Burton (casting director for the overs) and Susannah Peretz (wig designer).

The lead roles will be performed by three young casts of seven in rotation. Bugsy Malone will be played by Shaun Sharma, Gabriel Payne and Amar Blackman, Blousey Brown by Mia Lakha, Delilah Bennett-Cardy and Avive Williams, Fat Sam by Albie Snelson, Isham Sankoh and Charlie Burns, Tallulah by Taziva-Faye Katsande, Jasmine Sakyiama and Fayth Ifil, Fizzy by Aidan Oti, Jamie Northey-Dennis and one other performer (yet to be announced), Lena/Babyface by Cherry Mitra, Kayla-Mai Alvares and Ava Hope Smith and Dandy Dan by Rayhaan Kufuor-Gray, Kit Cranston and Desmond Cole.

They are joined by adult ensemble members: Georgia Pemberton, Alisha Capon, Lucy Young, D’Mia Lindsay Walker, Jessica Daugrida, Alicia Ally, Alicia Belgarde, Esme Bacalla-Hayes, Luchia Moss, Kalifa Burton, Rory Fraser, Andile Mabhena, Thomas Walton, Ru Fisher, Mohamed Bangura, Marcus Billany, Luke Mills and Will Lucas.

Based on Lyric Hammersmith’s five-star revival of Parker’s seminal musical, the show will open at Theatre Royal Bath with performances from 2 July 2022, followed by Birmingham Rep from 27 July 2022. After that it will visit Newcastle Theatre Royal, Mayflower Theatre, Southampton, Leeds Grand Theatre, Glasgow Theatre Royal, Belgrade Theatre, Coventry, Oxford Playhouse, Sheffield Lyceum Theatre, Leicester Curve, Milton Keynes Theatre, Theatre Royal Plymouth, Hull New Theatre, Nottingham Theatre Royal, Manchester Opera House, Edinburgh Playhouse, Southend Cliffs Pavilion, Cardiff’s Wales Millennium Centre and Marlowe Theatre, Canterbury with more venues to be announced.

Famous for casting children in adult roles, the musical is set in prohibition-era New York and features a gang of mobsters, showgirls, a penniless boxer, a seductive songstress and a plethora of flying custard pies.

The touring production will comprise of a young company of 39 actors, including three teams of seven kids.

}—–{

Footloose performance at Malvern Theatres cancelled amid safety concerns.

An opening night performance of Footloose at Malvern Theatres on Monday, May 16 was cancelled after the audience was already seated.  A spokesperson from Malvern Theatres said: “Regrettably, last night’s performance of Footloose the Musical was cancelled due to the touring production team facing technical obstacles which resulted in the performance being unable to go ahead.

“All customers who attended are being offered a full refund, as well as complimentary tickets for another performance of Footloose, or any other show of their choice this year.

“We empathise with all of our customers who visited us last night and experienced the disruption and inconvenience, for which we apologise. “The touring company did not have enough time to fully install all the set, and it was a decision made on behalf of the cast and crew’s concern for health and safety. “Those who attended have been offered a free refund for last night, plus tickets to another show at Malvern Theatres, either to another performance of Footloose (it runs until Saturday, May 21) or any other show we’re hosting this year.”

The show is based on the 1980s film and is currently starring Jake Quickenden best known for the X-Factor, I’m a Celebrity Get Me Out of Here and Dancing on Ice.

A spokesperson from the show said: “Based on the 1980s screen sensation which took the world by storm, Footloose sizzles with spirit, fun and the best in UK musical talent. “With cutting edge modern choreography, you’ll enjoy classic 80s hits including Holding Out for a Hero, Almost Paradise, Let’s Hear It For The Boy and of course the unforgettable title track Footloose.

“City boy Ren thinks life is bad enough when he’s forced to move to a rural backwater in America. “But his world comes to a standstill when he arrives at Bomont to find dancing and rock music are banned. “Taking matters into his own hands, soon Ren has all hell breaking loose and the whole town on its feet.”

 Dincwear Dancewear will keep watching the news and bring you further updates in the next edition.

View The Strictly Stars Wearing Dincwear Dancewear

From all the news team at Dincwear Dancewear, See you all next week!

This post has been created by the Dincwear Dancewear Team.

History of Workout and Dancewear

Dancewear, Activewear and Wolrkout Wear Trends

How the Leotard Dress Code of the ’80s Set the Stage for Your Yoga Pants.

What we wear to work out (and hang out) has a surprisingly feminist backstory. History of Workout wear and Dancewear.

Over the past decade, women have gradually embraced living their lives sheathed in spandex. The shift from so-called “real clothes” to athleisure has long been a polarizing one, with critics lamenting both our collective dressing down and the fact that wardrobe staples like workout leggings hug the body so tightly we might as well be walking around naked. “We may be able to conquer the world wearing spandex,” an opinion editor wrote in The New York Times in 2018, “But wouldn’t it be easier to do so in pants that don’t threaten to show every dimple and roll in every woman over 30?” Ouch.

Given the tenor of that criticism, the story of how workout wear became street fashion is a surprisingly feminist one. It’s a story of women ditching their girdles and so-called “ladylike” attire in favor of comfort and freedom of movement, and it reveals a profound evolution not only in the way women move through their lives, but also in how we think about our own bodies. And it traces back to Gilda Marx, an ambitious aerobics instructor to the stars, who almost single-handedly launched the leotard dress code of the 1980s.

In the mid-1970s, while Jazzercise and small studios across America were bringing aerobic dancing to the masses, Gilda was teaching her own version of dance fitness to Hollywood’s elite at Body Design by Gilda, a penthouse studio in Los Angeles painted shades of peach and blue. (Think Body by Bunny from Apple TV’s Physical, but much more LA.)

Credit: Shutterstock

Gilda attracted A-listers from Bette Midler to Barbra Streisand, who paid homage to Gilda in the 1979 romantic comedy The Main Event with a campy workout scene shot at the studio. “There were some classes where it was almost like a meeting of the gods,” studio manager and instructor Ken Alan told me. “You know, the two biggest names in movies would be three feet from each other.” Gilda’s studio even launched the queen of fitness herself: Jane Fonda became hooked on its group classes in the late ’70s; by ’82 she had opened her own workout studio and released a mega-bestselling fitness book and home video.

But Gilda’s influence would extend far beyond the rich and famous when she embarked on a quest to transform the era’s universal exercise uniform. She wanted to build a better leotard.

As someone who spent most of her time in leotards (she was a professional dancer before taking up aerobics), Gilda appreciated how they moved. But it bugged her that, for anyone who wasn’t built like a prepubescent ballerina, leotards weren’t always flattering — or comfortable. The garment hadn’t changed all that much since its introduction by French acrobat Jules Léotard in the 19th century. By the 1930s, leotards dyed pink or black were dancers’ rehearsal outfit of choice. But the leotards of mid-century America were still made of natural fiber blends, which meant they rode up in places they should stay down and sagged in places they should stay up.

Gilda knew there had to be a better design, one that supported, flattered, and fit properly. “I wanted to create a beautiful garment that would inspire my students to want to exercise,” she wrote in her 1984 exercise book, Body by Gilda. One that was “flexible, functional and fantastically glamorous.” She would soon discover that the key lay in one of the DuPont chemical company’s newest synthetic fibers: Lycra. The company had spent decades developing Lycra in a quest to design a better girdle, but thanks to Gilda, its triumph would come not from restricting women’s bodies but setting them free.

Credit: Courtesy

In the 1940s, when DuPont launched its multimillion dollar effort to invent the perfect sturdy-but-stretchy fiber — or spandex, as engineers began to call it, which was an anagram of expands — it had one objective: to revolutionize and then dominate the girdle industry. That’s because, at the time, pretty much every woman over the age of 12 was wearing one.

“In the period when Dupont was casting around for new synthetic fiber opportunities, it was taken for granted that a woman should not appear in public, and hardly in private, unless she was wearing a girdle,” writes the anthropologist Kaori O’Connor, who in the early 21st century gained rare access to the company’s archives and in 2011 published Lycra, an investigation into the birth of the fiber. Girdles were a “hallmark of respectability” and a prerequisite for looking good in clothes.

But the experience of wearing a girdle was hellish. This was partly due to the fabric, which was made from a stiff rubber-covered thread that makes today’s Spanx — even more extreme waist trainers — seem forgiving by comparison.

When DuPont surveyed American women about their dream innovations, they consistently asked for more comfortable girdles, and the company saw the potential for massive earnings. Eventually, in the early 1960s, a DuPont chemist named Joe Shivers revealed a fiber that was lighter than rubberized thread but had much more restraining power. The company named it Lycra. Cut to: stretchy girdles aplenty.

At first Lycra girdles were a hit, and demand outran supply. Then, a curious thing happened. Despite the fact that the first massive wave of baby boomers were becoming teenagers — the age when most women began to purchase figure shapers — girdle sales started to fall. DuPont and the rest of corporate America had assumed that the young baby boomer women would shop and dress like their mothers. Instead, as the 1960s unfurled, they were faced with what legendary Vogue editor Diana Vreeland dubbed the “youthquake” — with miniskirts and Mary Quant and a full-on fashion rebellion.

Throughout the decade, DuPont poured resources into trying to keep women in girdles. They even launched an item called a “form-persuasive garment” aimed specifically at the teen market, in case it was the word girdle to which teens were averse. (It wasn’t. And adults felt the same.) Despite popular legend, few women in the late ’60s and early ’70s burned their bras, but most actually trashed their girdles. When the president of the undergarment giant Playtex called up his marketing firm in a panic to report that his own wife had thrown away her girdles, according to the 1997 book Rocking the Ages, the end seemed nigh.

“‘Getting rid of the girdle’ emerged as a significant cultural moment, in every sense a defining act of ’emancipation,'” writes O’Connor. “Its abandonment was political action on the personal level, an act of liberation through stuff.”

By 1975, girdle sales were half of what they had been a decade earlier. With American women now moving about happily unbound, warehouses filled with unwanted girdle fabric, rolls upon rolls dyed a rainbow of vibrant colors. Gradually, small professional dancewear manufacturers and seamstresses began to snatch it up to make garments that, they discovered, “hugged the body and moved with it in a way that had never been possible before.”

But it was Gilda Marx who would bring these new leotards to the masses.

Credit: Courtesy of Gilda Marx

Gilda teamed up with a manufacturer who until then had specialized in car seat upholstery; her home was converted into a leotard laboratory where she experimented with different Lycra blends until she landed on her holy grail.

In 1975, she introduced the Flexatard, a nylon-Lycra blend leotard with all the support of a girdle and none of the cultural baggage. Flexatards came in long-sleeved, cap-sleeve, and spaghetti strap versions. And they came in dark, chic colors (red and burgundy and navy) and later, yellow and peach and green and raspberry.

She opened a small boutique in her penthouse exercise studio and began selling Flexatards to students who served as a kind of instant focus group for her products. “One day I looked at the back of my class and saw Bette Midler with arms, legs, and everything flying,” she wrote in Body by Gilda. “She was having a wonderful time” — and wearing a Flexatard. “After the class a panting Divine Miss M bounced up to me and said, ‘I absolutely adored this workout and this leotard is great. It is the first leotard that was ever able to support my chest.’ To a leotard designer, that was the ultimate challenge and the ultimate compliment.”

Gilda incorporated as Flexatard, Inc., and before long, women in aerobics classes across the country would be wearing her garments. Dancewear giants Capezio and Danskin got in on the game, too, and began making their own colorful Lycra-blend attire for aerobic dancers. In Britain, a former model named Debbie Moore was building her own dance empire at the Pineapple Dance studio. She built on Gilda’s designs, working with DuPont to blend cotton with Lycra and release an even more comfortable line of leotards and dancewear. Her footless tights became predecessors to today’s leggings.

RELATED: Colorful Leggings Are Back — See How Celebrities Are Wearing Them Right Now

When anthropologist Kaori O’Connor interviewed women about their memories of slipping into Lycra leotards and leggings for the first time, they told her it felt exhilarating. The fabric bonded women exercisers, they said, by serving as a kind of collective aerobics uniform that “seemed to free the body and hold it, cover it and yet expose it.”

By the early ’80s, Lycra leotards and leggings would burst out of the studio and onto the street, as Gilda and other designers introduced tops, skirts, and shorts that allowed women to come and go from aerobics class without having to change. Dancewear also became popular among women who liked their fresh, edgy “fashion look.” (Think: Jennifer Beals in Flashdance and early Madonna.) In 1984 alone, American women purchased 21 million leotards. An aesthetic that still feels like textbook ’80s was born.

This represented a paradigm shift in the way women viewed their physicality. “Lycra became the second skin for a new life in which self-confidence would be rooted in women and their bodies, not in rules, dress codes, wearing clothes that were ‘appropriate’ for age or social status, and especially not in wearing girdles,” writes O’Connor. “What had been the ultimate fiber of control now became the defining fiber of freedom.”

Credit: Getty Images

In the years that followed, middle-and upper-class Americans’ wardrobes became increasingly dominated by activewear, as signaling that one cared about working out was as important as actually working out (a trend that lives on, especially in fashion). “Now all the world was a gym and our closets were fast becoming lockers,” wrote the journalist Blair Sabol in her 1986 book The Body of America. “In fact, jock couture was probably the first time American designers became an honest fashion force. We had the handle on sweat and lifestyle, while Europe continued to runway sleek and fantasy.”

By the 1990s, workout leotards and tights were increasingly replaced by Lycra sports bra tops and bike shorts, as girls whose moms had worn Gilda Marx’s Flexatards came of age and put their own spin on sweat couture. Buns of Steel frontwoman Tamilee Webb appeared in the iconic early ’90s home workout video series in a sports bra and bikini bottoms, all the better to show off her aspirational hard body; in the 1995 movie Clueless, Cher (Alicia Silverstone) goads Tai (Brittany Murphy) to sculpt her own body in Tamilee’s image while both women don bike short silhouettes. Princess Diana helped to make the bike short fashionable as everyday wear, often pairing graphic tees and sweatshirts with colorful Lycra bottoms.

As yoga exploded across America in the second half of that decade, it birthed yet another booming Lycra apparel industry (much to the dismay of yogis who taught their disciples to seek spiritual rather than material wealth). The supermodel yogi Christy Turlington launched her own line of proto-athleisure in the mid-’90s, and Lululemon was founded in 1998; its iconic fabric, luon, is a blend of nylon and Lycra. Madonna, once again, helped to take gym fashion from the studio to the street when she became a poster woman for yoga with her 1998 album Ray of Light, an homage to her practice. Yoga pants were here to stay.

Most recently, the pandemic has ushered in an era of unprecedented sartorial comfort, as women, confined to their homes, now swaddle themselves in whatever stretchy, forgiving fabrics bring them pleasure. Contemporary athleisure — or “athlivesure”as InStyle recently dubbed it — is less its own distinct look than an amalgam of the past few decades’s styles; we’re wearing sports bras and bodysuits and bike shorts and yoga pants in whatever way feels good. In something of a full-circle moment, today’s trending workout wear is also hewing back toward the look of corsetry. It’s important to note, though, that this is a result of a new form of sexy dressing kicked off by Bridgerton more than a prescriptive requirement to be cinched. (Kardashian-beloved waist trainers are somewhere between the two; they promise shape-related “results,” but they don’t hold nearly the cultural grip on women’s bodies as their forerunners did.)

The last few years have, after all, seen major workout wear brands, from Athleta to Lululemon, begin to feature models in a wider range of sizes, as our cultural understanding of what a “fit body” looks like is evolving and we are reconsidering our aversion to “dimples” and “rolls.” While truly size-inclusive workout wear is still limited — with a few shining exceptions — we appear to be inching closer to a place where all women can have access to the kind of physical liberation and pride that straight-sized women have been experiencing since Gilda led them away from girdles into leotards’ light in the 1970s. Now we just call yoga pants “flare leggings,” and we wear them wherever we want.

Some, still argue that Lycra clothing — especially of the compressing, control-top variety — is merely a girdle by a different name. But personally? I’d much rather slip into spandex designed to help me dance, run, sweat, and generally move with ease than a figure shaper meant to cinch my body into one socially acceptable form. Fashion that expands often allows women to do the same.

Danielle Friedman is the author of the new book Let’s Get Physical: How Women Discovered Exercise and Reshaped the World, a cultural history of women’s fitness.

Article By Danielle Friedman: Originally Published on instyle.com , Jan 13, 2022 @ 1:45 pm.

Danielle Friedman is the author of the new book Let’s Get Physical: How Women Discovered Exercise and Reshaped the World, a cultural history of women’s fitness.

Other Related Dancewear Topics.

Morecambe Named Investment Hotspot

Lancashire is one of the top areas in England to invest in a holiday home for staycations, particularly Lytham, Morecambe and Clitheroe.

With house price growth currently at 7% year on year, and an average annual rental income of nearly £23,000, the county offers excellent long-term potential for anyone looking to invest – particularly in popular tourist spots such as Lytham, Morecambe and Clitheroe.

Lancashire ranks second on Sykes Holiday Cottages’ list of top investment hotspots in England, behind only Tyne & Wear, with Shropshire rounding out the top three.

Looking at the UK overall, Lancashire ranks in ninth behind destinations throughout North and South Wales. Blaenau Gwent in South East Wales topped the list, followed by Denbighshire and Rhondda Cynon Taf.

The Holiday Let Outlook Report 2022 analyses Sykes’ revenue data, alongside current house prices and house price growth, to drill into the long-term investment opportunities within holiday letting across the UK.

Location and amenities are two of the most important factors in a holiday home property investment success, so within the regions listed, any property must also be in a good location and offer desirable facilities to strengthen the investment potential.

The report also contains consumer research, Sykes’ booking figures and insights from rental data and analytics company AirDNA, to paint a clear picture of the UK’s holiday let market.

Property Investment Morcambe
Morecambe is one of the top areas in England to invest in properties for holiday homes staycations

According to the poll of UK holiday homeowners commissioned for the report, a quarter (25%) only started letting during the pandemic, with the staycation boom fuelling a rise in people entering the market – including investors, as well as those renting a second home already owned, setting-up glamping accommodation or transforming part of their home.

In fact, bookings for Sykes’ holiday lets in 2022 are up 35% compared to pre-pandemic levels – with bookings to Lancashire 76% higher this year than in 2019.

Graham Donoghue, CEO, Sykes Holiday Cottages, said, “The shift towards staycations had already begun pre-pandemic, Covid has just accelerated this trend. And although international travel is becoming easier, we now have new types of staycationers that are here to stay.

“Because of growing demand for breaks to Lancashire and Morecambe and rising house prices, there has perhaps never been a better time to invest. There are monetary benefits to entering the market, but by holiday letting you’re also helping others experience and enjoy your own part of the world while supporting the local tourism economy.”

For those looking to maximise the revenue potential of their holiday lets, Sykes’ analysis found that a hot tub is the leading money-boosting feature to install – adding an estimated 49% to annual revenue.

Income figures also suggest luxury amenities such as open fires could boost earnings by 19%, on average, while a rise in pet ownership fuelled by the pandemic has seen pet-friendly properties earn 9% more.

The average house price and house price growth for Lancashire is £198,824 (+7% YoY) The Sykes Holiday Cottages’ report is based on internal bookings, revenue, website and owner data from January 2019 to February 2022.

Post Produced by Nicola Adam for publication in the lep.

Ballroom Blitz of Glitz for Lancashire Business Awards

A famous Lancashire venue and favourite of the BBC Strictly dancers are set to showcase the best in Lancashire’s business.

And the leading business awards ceremony in the Tower Ballroom will offer Blackpool the chance to welcome people back to the resort.

Maria Coupe , of Shout Network, said a sell-out crowd for the Be Inspired Business Awards, The BIBAs, would be a fantastic sight to see in the Tower Ballroom at the Blackpool Tower.

The awards is scheduled to host its annual prize-giving ceremony on Friday, September 17.

Shout Network is the official Social Media Partner of the awards which has 20 prize categories hand out to businesses across Lancashire.

Maria said: “The sight of the Tower Ballroom with a sell-out BIBAs audience will be a fantastic lift for the Lancashire business community.

“I know that the hundreds of people who are attending the evening will make sure they do everything to support Blackpool’s economy with hotel bookings, taxi fares and even a pre-ceremony drink in the resort.

“This is a great opportunity to remind people who may not have been for a while exactly what a great place our county can be.”

The awards’ organisers have said the safety of all guests at the evening will be their number one priority with measures in place to limit the spread of the virus.

All guests attending the ceremony will be asked to present a negative COVID-19 test result upon arrival at the Tower.

It will hand out 20 awards to recognise the achievements of Lancashire businesses and the people behind them during the past 12 months.

The prizes include the BIBAs’ lifetime achievement award, Lancastrian of the Year, which recognises the achievements of a special individual from within the county’s business community.

Written By Tim Gavell and published in the Blackpool Gazette.

Shared by SME Growth

Derek Hough Wins Third Emmy Award

Derek Hough Wins Third Emmy
Award for ‘Dancing with the Stars’ Choreography

Derek Hough, winner of the Emmy for outstanding choreography for variety or reality programming for the “Paso Doble-Uccen / Tap Dance – Let’s Fall in Love for the Night” routines in “Dancing with the Stars” at the Media Center during the third ceremony of the Television Academy’s 2021 Creative Arts Emmy Awards on Sunday, Sept. 12, 2021, in Los Angeles. (Photo by Dan Steinberg/Invision for the Television Academy/AP Images)

Choreographer Derek Hough won the Emmy Award for outstanding choreography for variety or reality programming for the “Paso Doble-Uccen/Tap Dance – Let’s Fall in Love for the Night” routines on “Dancing with the Stars.”

It was one of two Emmy Award Nominations he received this year, the other for a Disney project he worked on.

This marks a third Emmy Awards win for Hough, who is an 11-time nominee, making him the most nominated male choreographer in Television Academy history. But this year was different with the art he created during the pandemic being recognized.
It was also a time he tried to help how he could.

“Last year my goal was to bring entertainment, joy during a difficult time. The sing-along, dancing in the house, ‘DWTS,’ trying to bring a little bit of creativity, a little bit of joy into people’s homes,” he said.

As for the competition around awards shows, Hough takes it all in stride.

“My background in what I do, I compete. I was a competitive dancer when I was 12, before ‘DWTS.’ For me it was always about dancing to compete, to be judged,” he said.

The Emmys are the beginning of a busy time for Hough. The 30th season of “Dancing” premieres on Sept. 20 and his Vegas residency opens two days after that. He’s on the sidelines as a judge this season, so some of his fans are wondering: Will his career have a full-circle moment with him returning to the dance floor as a pro?

“As the great philosopher Justin Bieber once said, ‘never say never,’” he said.

Article By Bianca Rae Sherman Oaks

PUBLISHED 8:00 PM PT Sep. 13, 2021 “SPECTRUM NEWS 1”

Euro 2020 winners

Who won the golden boot, best young player and player of the tournament? The awards in full.

Euro 2020 Awards & Trophies

Uefa has handed out individual awards following Italy’s win over England in Sunday’s European Championship final.

Italy won their second European Championship and sixth major trophy overall on Sunday by beating England in the Euro 2020 final at Wembley, but which players scooped the individual awards?

There are four main individual awards up for grabs at the Euros: Player of the Tournament, Young Player of the Tournament, the Golden Boot, given to the top scorer and the Goal of the Tournament. A Silver Boot and Bronze Boot are also handed out to the second and third top-scorers at the tournament.

Additionally, there is a Team of the Tournament, as selected by Uefa’s team of technical directors comprised of 16 former players and coaches from across the continent.

Unlike in the Premier League, there is no Golden Glove for the goalkeeper with the most clean sheets or a Playmaker Award for the player with the most assists. Had there been, Jordan Pickford would have won the Golden Glove after keeping five clean sheets, while Switzerland’s Steven Zuber would have collected the Playmaker Award for his four assists.

Player of the Tournament – Gianluigi Donnarumma (Italy)

Gianluigi Donnarumma’s heroics in Sunday’s penalty shootout ensured that he got his gigantic hands on the Player of the Tournament trophy shortly after the final whistle had sounded at Wembley.

Donnarumma saved twice in the shootout – as many as his opposite number Jordan Pickford managed – and also denied Alvaro Morata from the spot in the semi-final victory against Spain.

The 22-year-old kept three clean sheets in seven appearances in the competition, making eight saves in total. He is the first goalkeeper to win the award since its inception at Euro 1996.

All but one of the seven winners of the award has played for the eventual winners, Antoine Griezmann bucking that trend at Euro 2016.

The 22-year-old kept three clean sheets in seven appearances in the competition, making eight saves in total. He is the first goalkeeper to win the award since its inception at Euro 1996.

All but one of the seven winners of the award has played for the eventual winners, Antoine Griezmann bucking that trend at Euro 2016.

European Championship Player of the Tournament winners – in full

  • Euro 1996 – Matthias Sammer (Germany)
  • Euro 2000 – Zinedine Zidane (France)
  • Euro 2004 – Theo Zagorakis (Greece)
  • Euro 2008 – Xavi (Spain)
  • Euro 2012 – Andres Iniesta (Spain)
  • Euro 2016 – Antoine Griezmann (France)
  • Euro 2020 – Gianluigi Donnarumma (Italy)

Young Player of the Tournament – Pedri (Spain)

Spain’s most impressive performer, from the beginning of their tournament until the end.

The 18-year-old (yes, really), looked every bit Andres Iniesta’s successor for La Roja, keeping possession of the ball at will and committing defenders with balletic dribbles up the pitch.

Pedri saved his best performance at Euro 2020 for his last, excelling in the semi-final defeat to eventual champions Italy.

Remarkably, he completed all 55 of his attempted passes in the opening 90 minutes, finishing up with 65 successful passes out of 67 at the end of extra-time.

Golden Boot – Cristiano Ronaldo (Portugal)

Cristiano Ronaldo led the golden boot football trophy race from the end of the group stage right the way through to the end of the tournament after scoring five goals and providing an assist in his first three matches.

Ronaldo scored twice in Portugal’s 3-0 win over Hungary, registered a goal and assist in a 4-2 defeat to Germany and managed another double in a thrilling 2-2 draw with France.

Although the Juventus striker finished level on goals with the Czech Republic’s Patrik Schick, he was the outright winner of the golden boot, by virtue of supplying an assist and playing fewer minutes.

Schick scooped the Silver Boot award instead, while France’s Karim Benzema pipped Harry Kane, Romelu Lukaku and Emil Forsberg to the Bronze Boot after scoring his four goals in less time.

Goal of the Tournament – Patrik Schick vs Scotland

Schick might have missed out on the Golden Boot and a place in the Team of the Tournament (somewhat controversially) but at least he didn’t end up empty-handed.

The Bayer Leverkusen forward was rewarded for his sensational strike against David Marshall at Hampden Park during the Czech Republic’s 2-0 win over Scotland in the Group Stage. Schick spotted Marshall out of his goal and gloriously lobbed the ball over his head and into the net with a from 49.7 yards out, making it the furthest goal scored at a European Championship since records began in 1980.

Team of the Tournament

Uefa’s team of technical directors – including Robbie Keane, Fabio Capello and David Moyes – announced the official team of the tournament on Tuesday with five Italians named in the XI.

Uefa’s Team of the Tournament – in full

Goalkeeper:

  • Gianluigi Donnarumma (Italy)

Defenders:

  • Kyle Walker (England)
  • Harry Maguire (England)
  • Leonardo Bonucci (Italy)
  • Leonardo Spinazzola (Italy)

Midfielders:

  • Pedri (Spain)
  • Pierre-Emile Hojbjerg (Denmark)
  • Jorginho (Italy)

Forwards:

  • Federico Chiesa (Italy)
  • Raheem Sterling (England)
  • Romelu Lukaku (Belgium)

Player of the Tournament Donnarumma was joined by Leonardo Bonucci, Leonardo Spinazzola, Jorginho and Federico Chiesa in the official team.

Runners-up England had three representatives with Kyle Walker, Harry Maguire and Raheem Sterling all making the cut.

The other three positions were filled by Young Player of the Tournament Pedri (Spain), Pierre-Emile Hojbjerg (Denmark), and Romelu Lukaku (Belgium).

Article Written and Originally published by:

author avatar image

By Oliver Young-MylesJuly 14, 2021

Livestream Dance Shows: How Online Watch Parties Work – and Their Perks

Fisrt Posted on by Alison Roberts-Tse in Dance Dispatches

With all of the wonderful streaming performances freely shared to lift our self-quarantined spirits, there is plenty of opportunities to watch dance, opera, musicals, and more with friends (and other fellow art lovers). And it’s not only the dance and performing arts companies that are showing work; many theaters and opera houses host Livestream dance performances on their Facebook and YouTube channels, too. These live streaming dance shows and digital watch parties don’t bring the same buzz as a live performance, but they have plenty of additional perks – and keep audiences and performers safe at home.

Check out our comprehensive list of digital dance home resources to see where you can find online dance performances, both streaming and on-demand

Is The Online Performance ‘Live Streaming’ – or ‘On Demand’?

Are you curious how are all of these theaters are streaming live performances – if theaters remain shut and everyone is supposed to be quarantined? Well, in many cases the theaters are ‘live streaming’ productions that have already been recorded.* However, they are still labeled as ‘live streaming videos’ because the organization has chosen to broadcast the performance at a specific time. Viewers can attend the online ‘live streaming’ premiere to watch the show as soon as it becomes available.

Note: In other cases, the performances really are staged live and broadcast immediately – but with online audiences, instead of live audiences.

After a dance video is livestreamed, it can also remain ‘on demand’. Depending on the publisher’s video settings, a performance may or may not be available to view after the livestream. Some shows will be accessible for 24 hours, a week or even longer. An ‘on demand’ video just means that you can watch it at your convenience, as long as the host continues to allow access.

Note: Not all ‘on-demand’ performances are uploaded with a live stream or live digital watch party; but it does seem to be a common trend.

Join a Digital Watch Party on Facebook or YouTube

Live streaming premieres are commonly advertised as ‘digital watch parties’ – either as Facebook watch parties or Youtube premieres. They encourage viewers to enjoy the show together, as a community. Dance watch parties allow groups of dance enthusiasts to watch the show at the same time and hold discussions in the live comments section (that functions like a chat room).

Facebook’s virtual watch parties are particularly social, as streams of ‘likes’ and other reactions travel up the screen when viewers react to the video. And the comments field is full of interesting observations from other viewers that may enhance your viewing. You may even glean some insight into the production from show organizers, who moderate the discussion.

There are also live streaming shows broadcast as YouTube watch parties. If you want to completely immerse yourself in the show, you can maximize the video screen, so you won’t see the discussion. Sometimes the event organizers will host post-show Q&A sessions with the dancers and/or choreographers after the show, which is a special treat.

Watching Online Dance Shows on Your TV

You can watch online dance shows on your laptop or tablet, but you may want to watch from your television, instead. To do this, you need a Smart TV, which connects with applications, such as YouTube – or you can stream live dance to your TV by using a device such as Google Chromecast. The Chromecast will allow you to pair your television with another digital device, and whatever you play on your cell phone, tablet or laptop will appear on your television screen.

Perks of Attending a Livestreamed Dance Show

Despite the availability of digital shows, many art lovers sorely miss the live theater experience. It’s understandable. But if you have grown weary of watching dance shows online, here are a few ways that online dance shows beat a night on the town. Thank goodness for these tiny silver linings!

The top 10 benefits of livestream dance performances are:

1. You Can Crash in Your Comfy Clothes.

Watching a digital dance show means you don’t have to stress about appearances, like you might at ritzier theaters. Since you’re skipping the ‘see and be seen’ part of the occasion, you can lounge around in whatever suits your fancy: sweat pants, onesies, slippers, the closet is your limit.

2. It’s Easier to Find a Date.

If you don’t have lots of ‘dance’ and ‘artsy’ friends, securing a show date can take some serious wheedling. It should be much easier to convince friends to hop on a digital dance date with you (since they can chill out in their pajamas, too). Selecting a free performance will also increase the likelihood of your friends’ attendance.

And even if it doesn’t work out, you needn’t be self-conscious of flying solo.

(Note: I fly solo to live shows all the time, but I know it makes some people feel anxious.)

3. You Can Save Some Cash.

Who doesn’t like to save money? When you tune in to an online dance show, you’ll spend much less than you would during a night on the town. There are many free shows, and renting or buying productions is much more affordable than purchasing live theater tickets. You also won’t spend money on transportation, a restaurant meal beforehand or cocktails afterwards. Cha-ching.

4. Boom, You’re There.

Once you open the web browser to the right page, you have already reached your destination. You don’t have to navigate any one-way streets or scan for a parking spot. You can skip cramming onto the trains and metro carriages with hundreds of other passengers. The short commute to attend a digital dance show is unbeatable, really.

5. The Bathroom Is All Yours.

Small bladdered theater-goers, rejoice! You do not have to line up for the bathroom before the show, during intermissions or after the shows. And since you can relish the privacy of your own bathroom – and you have your own kitchen space – you can stay as hydrated as you like, with whichever beverages you like. 

6. You Can ‘Chat’ During the Show.

If you are a chatter-bug, you can discuss the performance without disturbing other audience members when you’re all watching from home. You can either sound off in the comments section of a live streaming dance performance – or you can simultaneously call a friend to discuss the action as it unfolds.

.

7. You May Gain Insight From Show Organizers and Dance Artists.

When you attend a live show, purchasing a show program will provide the best information about the choreographer, the choreography, the dancers and the larger production. In lieu of a show bill, the host organizations will occasionally appear at the virtual event to provide background into the live streaming dance piece. And after the curtain comes down, you might get to hear from the people who created or starred in the shows.

8. You’ll Have the Best Seat(s) In the House.

Shorties tuning into a live-streamed dance video do not need to worry about getting stuck behind a very tall audience member, who will block half of the stage from view with his or her head. Thanks to the camerawork, digital audience members will have a consistently clear view of the choreography. If you’re watching screen dance or dance made specifically for film, your views will be handpicked by the videographer (to focus on aspects like formations or the dancers’ facial expressions).

Additionally, when you watch an on-demand or streaming show online, you don’t even have to sit in a chair like a normal person. You can slump on the couch or sit on the floor and stretch.

9. You Can Eat All The Snacks – Even Smelly Ones.

Unobtrusive theater snacks are mostly limited to hard candies, since food and drink is typically banned in US theaters. (I was so surprised to see UK theaters sell ice cream… that you can eat in your seat!) But when you watch a dance show from home, you can chow down anything. Chomp on that crunchy apple or indulge in a curry. Your house, your food, your rules.

10. Peace-ing Out Early Is an Option.

Not every dance show is stellar. Sometimes you may wish you could just sneak out of the theater. Leaving a show before the curtains come down is easy, when all you have to do is shut off a computer screen. Thanks to digital dance shows, you can leave early – guilt free. And, since watching companies and dance genres you haven’t seen before is low risk via digital platforms, you can easily diversify your dance viewings.

At the moment, digital dance is all many of us have… So, viva virtual dance shows!

We’ve seen tons of digital dance shows this year, including École des Sables Dancing at Dusk, Ballet Trockadero ChopEniana, Ballet Hispánico Noche Unidos, and Christopher Wheeldon’s Cinderella at Royal Albert Hall. Which Livestream and on-demand dance performances have you watched? Let us know in the comments section!

Ladbrokes Northwest Football Awards 2021 – We’re back

first Posted by Laura Wolfe | May 19, 2021 | NWFA Blog

Ladbrokes Northwest Football Awards 2021 – We’re back and open for entries now!

After an extremely difficult year for so many of us, we are delighted to be able to announce that the Ladbrokes Northwest Football Awards is back!

The Ladbrokes Northwest Football Awards (NWFA) 2021 will take place on Monday, 22nd November 2021 at The Point, Emirates Old Trafford, hosted by broadcaster Dan Walker, and will celebrate the Northwest region’s footballing elite, paying tribute to those from both on and off the pitch, who have excelled in the 2020/21 season.

The NWFA 2021 will see awards presented to those who have achieved footballing excellence, from grassroots level through to the elite level of the beautiful game, in what was a season unlike any other for fans, players, and clubs alike.

Laura Wolfe, of the Ladbrokes Northwest Football Awards said, “We are over the moon to be able to set the wheels in motion for a live event in 2021.  After our digital online event in 2020, we know how excited the everyone is at the thought of being able to be together again in person in November, after such a long time living under the necessary Covid-19 restrictions of the past months.   Whilst the fans have not been able to be in stadia live this past season, it has been no less exciting and certainly as controversial, and we look forward to sharing some of the wonderful stories from around our clubs and celebrating the personalities from across the Northwest region.”

Simon Clare of Ladbrokes said, “Ladbrokes is delighted to be back on board as title sponsor of the 2021 Northwest Football Awards.  We are in awe of the incredible work that has been carried out by all the Clubs, their staff, and the players over the past season in such difficult circumstances, both on and off the pitch, and we look forward to celebrating their achievements and successes with the Northwest football family in November.”

Ladbrokes is back on board as title sponsor for 2021, together with other sponsors and partners; the PFA, musicMagpie, Mob Sport, Tongue Tied Media, Pitch Publishing, the FMPA, the FSA, Kick it Out, Manchester FA, PFSA, Road3 Concierge, and Women in Football and media partners; the BBC, The Athletic, FC Business, She Kicks, The Cheshire Magazine and brand new partners for 2021, TalkSPORT.

The NWFA is delighted to be supporting the Darby Rimmer Foundation and The Offside Trust at this year’s Awards.

Stephen Darby, co-founder of the Darby Rimmer Foundation and married to Manchester City Women and England captain, Steph Houghton, said, “Chris and I are honoured that the Ladbrokes Northwest Football Awards has chosen the Darby Rimmer MND Foundation as its charity partner for this year’s event once again. I was lucky enough to play for three North West teams (Liverpool, Rochdale and Bolton Wanderers) in my career, and both Chris I reside in the North West. We look forward to raising awareness of Motor Neurone Disease in order to assist and support others with the disease and in our quest to find a cure.”

Steve Walters, director of the Offside Trust said:  “We are delighted that our partnership with the Northwest Football Awards continues in what has been a momentous year for the Offside Trust. After supporting survivors of child sexual abuse in the sport since 2016, the last few months have seen the publication of the FA’s Sheldon Report and renewed public awareness culminating in the BBC’s Football’s Darkest Secrets documentary. One of the most poignant stories featured the late Billy Seymour, whose struggle for justice and support for other survivors has inspired our work. To have an award named in Billy’s honour is a fitting tribute to the lasting impact of a man who epitomised the strength, leadership, and selfless service to others that deserves to be celebrated in football and throughout society.”

Nominations to the Ladbrokes Northwest Football Awards 2021 are now open. Having been forced to host the 2021 event online, the 2021 NWFA is expected to be bigger than ever.  Enter here.

The L’Oréal Colour Trophy Awards

L’Oréal Postpones Colour Trophy Finals Until 2021

The L’Oréal Colour Trophy is back to showcase some of the brightest hairdressing talents across the country, whilst ensuring that hairdressers nationwide are continually inspired to celebrate hair inspired by fashion.

The L’Oréal Colour Trophy has evolved from its origin 65 years ago, growing from only 300 attendees in 1954 in a singular event to now 8 regional heats and a grand final with the attendance of thousands across the country throughout the competition, and continues to inspire around the world, giving salons the chance to share their passion and talent!

The L’Oréal Colour Trophy celebrates the best in the industry each year with a spectacular final held in London and Dublin in front of thousands of guests.


The L’Oréal Colour Trophy Finals

In light of the current climate regarding the Coronavirus Pandemic L’Oréal have made the decision to postpone the L’Oréal Colour Trophy UK Grand Final and the Live Final Republic of Ireland.

The new dates for the finals will be held on 7 June 2021 (UK) and 20 June 2021 (ROI) respectively. Both events will be held at the originally planned locations – Battersea Evolution (UK) and The Mansion House (ROI).

“We believe that postponing both event finals will give the competition the best chance to proceed safely with a live event format and also allow us to celebrate the UK 65th year all together, as well as celebrate in Ireland with all of our partners and teams,” reads a statement from the company.

Article news highlights and photos shared from lorealcolourtrophy.com

Opening Your Own Dance Studio

Starting up your own dance studio might seem daunting, but Owning a studio is a commercial venture that requires capital, business savvy and almost obsessive attention to detail.

Here is a recently published article written by Dayna Farrington about a dance teacher who did just that.

Dance teacher achieves dream of opening her own dance studio

A young dance teacher is celebrating lockdown restrictions being finally lifted so that she can achieve her dream of opening her own studio in Wolverhampton.


Tracy King and Hayley Morris have opened Synergie Dance and Fitness Studios in Wolverhampton

Hayley Morris, 26, from Sedgley, has opened the Synergie Dance Training Academy in Commercial Road and her former teacher, Tracy King, has also moved her business, Tracy King’s School of Dance, previously based in Sedgley, into the building.

Already the two dance studios have more than 110 pupils on their books…

Hayley, a BA Honours dance graduate, said: “The opening was to have been in November but then lockdown hit and I am just delighted that we are now finally welcoming people to the two dance studios and other dance and fitness classes.

“It has been a life-long dream of mine to open a studio and then I finally stumbled on these premises and thought they would be ideal.

“I have opened the Academy to teach pupils for both examination and performance on stage.

“Tracy, my former dance teacher from when I was six-years-old, has moved her school into the building.

“She concentrates mainly on ballet, tap and modern dance while I deal with the more acrobatic.”

Hayley currently works as a part-time sales assistance with a company in Wolverhampton, but eventually hopes to become a full-time teacher as pupil numbers grow.

She said: “Tracy and I have sort of joined forces and we are both delighted to be finally working from the Academy.

“I am fully qualified through the National Association of Teachers in Dance and recently gained recognition from the International Dance Teachers Association in freestyle dance.

“I also had the privilege of taking part in the televised Olympic handover ceremony held in Birmingham two years ago.

“Through the opening of the Dance & Fitness Academy, I feel that I will be giving something back to the local community.”

Main article and photo By Dayna Farrington, Wolverhampton …. First Published: in the expressandstar.com, 20th April 2021